"Dream, Dream, Dream! Conduct these dreams into thoughts, and then transform them into action."
- Dr. A. P. J. Abdul Kalam
2 Sep 2025
Music has always been described as a universal language. It transcends barriers, cultures, and generations. But what happens when devotion and innovation come together? Pune-based musician Narendra Gopal Dhayagude has shown the world that even a centuries-old religious instrument, the conch or shankh, can become a standalone musical marvel.
On July 26, 2025, Dhayagude’s exceptional skill was officially recognized by World Records India for developing a technique to play the complete range of Indian classical musical notes (Sa Re Ga Ma Pa Dha Ni Sa) and various melodies on the Vishnu conch.
His achievement is not only a personal triumph but also a cultural milestone for Indian music.
Traditionally, the conch has been seen as a symbol of purity, divinity, and strength in Indian culture. It is blown during religious rituals, festivals, and ceremonies to invoke auspiciousness. However, for most, it has remained only a spiritual object rather than a musical instrument. Dhayagude dared to change that perception. By experimenting with airflow, lip control, and hand modulation, he discovered a method to produce distinct musical notes from the conch. This allowed him to play not only classical ragas but also the Indian National Anthem, patriotic songs like Saare Jahan Se Achha, devotional mantras, children’s rhymes, and even sounds resembling Morse code and bird calls.
The recognition came formally on August 8, 2025, at Shri Kshetra Dehu, a place deeply connected with Saint Tukaram Maharaj. The award was presented by H.B.P. Manik Maharaj More, a descendant of the saint, on behalf of Pawan Solanki, CEO of World Records India.
What sets Dhayagude apart is his approach to the conch, not merely as a religious artifact but as a potential scientific and musical instrument. He is currently conducting research to establish its place in the world of sound studies and acoustics. According to him, the conch has a unique frequency that can influence the environment and the human mind. For centuries, blowing the shankh has been associated with positivity and purification in Indian traditions. By proving that it can also be a structured musical instrument, he is bridging the gap between spirituality and science.
Dhayagude’s vision goes beyond personal glory. He has expressed his desire to guide enthusiasts who wish to learn this rare art form. By teaching the technique, he hopes to preserve and expand this tradition, ensuring that it doesn’t end with him but continues as a new chapter in Indian music history. Born on November 20, 1960, Narendra Dhayagude has spent decades exploring the possibilities of music. While most people would never think of the conch beyond temple rituals, he saw potential in it.
By blending cultural roots with creative thinking, he has shown that innovation is not limited to technology or science; it can also come from reimagining tradition. For the people of Pune and India at large, his achievement is a matter of pride. It highlights how Indian musicians continue to make contributions that surprise the world.
This record is more than a personal success story; it is also a step forward for Indian music. In a world dominated by digital instruments and electronic sounds, Dhayagude has reminded us of the beauty of natural, traditional instruments. By playing the Sa Re Ga Ma Pa Dha Ni Sa on the conch, he has placed it alongside mainstream instruments like the flute, sitar, or tabla. His melodies prove that devotion and art can create a unique space in the global musical landscape.
Narendra Dhayagude’s achievement is a reminder that music is everywhere, waiting to be discovered. His world record on the Vishnu conch is not only about technical skill but also about imagination, faith, and passion. By turning a symbol of divinity into an instrument of melody, he has redefined how we look at culture and tradition. His story is one of pride for India and an inspiration for all who dare to think differently.